Thursday 28 May 2015

Reverie in tranquil industry

Like much of the surviving relict remains of the explosion of industrial activity in Britain in the late eighteenth century and the Victorian era, Sapperton canal tunnel has been slowly and incrementally seeping back into the landscape from which it came. Pandaemonium and rupture replaced by quiescent stillness. Transporting the Thames and Severn Canal through the Cotswold hills the tunnel was opened in 1789 and, at two and a half miles long, was and is one of the longest in the country: the HS2 of its day.  

Coming across the crenellated western entrance of the tunnel during an early summer afternoon and returning in the gloaming, hallooing bats from the murk, evokes a feeling of antiquarian discovery. How strange that an example of what was raged at as the disfigurement of picturesque landscapes has become, with obsoletion, time and benign neglect, an organic component of the terrain that it scarred; recolonised by endlessly patient displaced flora and fauna and stillness.

Returning through wild garlic abundance alongside the silted channel to the camping field downslope from the magnificently unchanging Daneway Inn, once lodgings for the men who propelled the narrowboats through the tunnel by 'legging' - using their feet on the tunnel walls, I enter a Rousseau-like reverie contemplating the tranquillity of exhausted human endeavour.

Wednesday 20 May 2015

Topographical legacies of monasticism: evolving perceptions and realities of monastic estate landscapes in the south eastern Welsh Marches

I will be commencing a full time PhD at the University of Exeter in September. Here is my research proposal; the landscapes and places that will be occupying my time, inspiring me and driving me to distration over the next three years. If anyone has any expertise, knowledge or interest in the subject matter outlined here I would be delighted to hear from you.

Monastic estates, in contradistinction to monastic buildings, have traditionally received limited attention from landscape archaeologists and historians and few previous studies have attempted to examine the subsequent evolution of these estates beyond the Dissolution within the context of their monastic period antecedents (Bond, 2004; Everson and Stocker, 2007). However, a number of more recent agenda-setting publications (Aston 2007; Austin, 2004; Bezant, 2014; Walsham, 2011) have offered new methodological and theoretical frameworks to begin to address this subject, thus providing the foundation, impetus and broader context for this proposal. Examining in detail landscapes associated with a number of monastic houses in the south-eastern Welsh Marches and tracing their later trajectory, this thesis will assess the impact and legacy of monasticism on the historic landscape up to the present day, stretching the chronological survey of such landscapes into the post-Dissolution era and bridging the gap between medieval and post-medieval landscape study.

Adopting an interdisciplinary and multi-layered approach to the landscape, the core emphasis on tracing and accounting for the physical changes evident within the study area will be supported by an examination of the shifting perceptions of cultural and economic value, of landscape meaning and memory, which such changes reveal or provoke (Cosgrove, 2008; Schama, 1996).  Consequently, conventional themes long dominant in landscape historical and archaeological discourse such as ownership and land management will be addressed, but interweaved with the discipline’s more recent interest in how places and landscapes are perceived, appreciated and codified in both the past and present (Johnson 2007; Whyte, 2009; Wylie 2007).

This research will be driven by a number of core questions:
  • Can distinct medieval ‘monastic’ landscape types or even, in Whyte’s words (2009), “religious topographies” be identified?
  • What was the legacy of monasticism for subsequent secular landscape development?
  • Is there any commonality in the post-Dissolution evolution of monastic estates as they were transformed from economic and religious spaces into, for instance, idealised designed landscapes in the early modern period, or designated heritage and touristic landscapes in more recent times?
  • What historic and contemporary perceptions, reactions and emotions have these transfigurations engendered?
The south-eastern portion of the Welsh Marches, encompassing the historic counties of Brecknockshire, Monmouthshire, Glamorgan and Herefordshire has been carefully selected for its high potential to address the specific research questions posed here (Burton and Stober 2013). This area contains a mixture of pays— of both upland and lowland, and champion and bocage landscape character — offering a variety of physical settings in which to explore the human dimensions of landscape creation over the long term (Leighton and Silvester, 2003; Rowley, 2001). The region was also colonized by a number of religious orders during the middle ages. This provides the context to examine the estate organisation of specific religious orders as well as the particular landscape arrangements of individual houses. The wider geo-political dimension at play in the region during the medieval period—for example the establishment of monastic estates as a symbol of Norman colonisation, power and control in a contested borderland—provides an additional dynamic to enrich discussion on the cultural impact of these landscapes (Burton and Stober, 2013; Rowley, 2001). There is also considerable variation in the post-Dissolution histories of these monasteries: some became ruinous, with their estates broken up, whilst others were converted into gentry houses with associated landscaped estates.  The area has long attracted the attention of the artistic community, opening up the opportunity to explore the monastic legacy underpinning the evolution of these landscapes as cultural, spiritual, and artistic touchstones (Andrews, 1999). Finally, reflecting the desire to trace development to the present day, many of the monastic estates are located in what are now designated spaces or countryside on the edge of post-industrial urban areas; terrains viewed through the contemporary lens of high heritage and ecological value, but also facing competing pressures for change.

An interdisciplinary approach will be adopted from the outset integrating topographical, archaeological and historical evidence supplemented by analysis of literary and artistic sources, oral histories and contemporary opinion.  Examination will be multi-scale, with general surveys of the whole area supplemented by three detailed case studies chosen to ensure a reflection of the range of complex landscape histories it contains (the short-list of monastic houses for the case studies are: Craswall, Dore, Goldcliff, Llanthony, Llantharnam and Tintern).  Criteria in their selection will include: monastic order; landscape character and pays-type; heritage and conservation designations and value (including economic); current ‘risks’ of landscape degradation and fragmentation; access and ownership considerations; and availability of archive and research materials.
Foundational to the research will be to categorize, record, and map monastic features in the case study landscapes (including religious buildings, farmsteads and granges, field systems, communication routes and other infrastructure). GIS will be used to integrate, analyse and present modern and historic maps and plans, aerial photographs and satellite images, place- and field-names, and data layers from HER and archival records.  A limited sample of targeted fieldwork will be conducted on key features, focussed on rapid field assessment and measured surveys.  Once reconstructed, the ‘monastic era’ features of the case study landscapes will be analysed to identify and catalogue post-Dissolution continuity and change: patterns of preservation, adaption and despoliation.

A dual approach will be taken to the analysis and comprehension of shifting perceptions of the case study landscapes, of how such places are envisioned and represented (Andrews, 1999; Cosgrove, 2008; DeLue and Elkins, 2008).  Written, artistic, and cartographical landscape descriptions and depictions—from monastic records, folkloric representations, the works of antiquarians and the Romantics, through to diverse twentieth and twenty-first century viewpoints—will be examined.  This will be supplemented by survey and interview of a representative sample of those who work in, manage and visit these landscapes, including: National Park staff, walkers on Offa’s Dyke National Trail, local farmers, artists and residents, visitors to heritage sites, members of local societies, and those involved in outdoor pursuits. Social media will be used to engage with on-line conversations relating to the spatial and thematic subject matter of the study. 

Transcribed versions of documents from the monastic period, for instance Ecclesiastical Taxation (1291), Valor Ecclesiasticus (1535), Calendars of Ancient Deeds, Charter and Patent Rolls and other contemporary administrative and legal papers, will be reviewed for primary source references to topographical and tenurial information relating to the case study areas, as well as cartularies where they exist. Reference will also be made to antiquarian studies describing post medieval and early modern estates previously held by monastic houses in the study area, such as Beaumont’s A Tour throughout South Wales and Monmouthshire (1803) and Dugdale’s Monasticon Anglicanum (1655-1673). National and local archives and HER’s will be consulted to review archaeological reports, estate and tithe maps and other source documents. Ordnance Survey maps will be accessed digitally from the Digimap on-line resource. Aerial photographs and satellite imagery will be obtained from the RCAHM (Wales) and English Heritage’s on-line archive and Google Earth. A useful on-line research resource for the study will be the Monastic Wales web site (, which provides listings of primary and secondary sources for all monastic houses in Wales. Other sources will also help to identify patterns of perception over time relating to the case study landscapes, including the work and commentaries of artists and writers (ranging from Giraldus’ The Journey through Wales to Wordsworth’s locally inspired output, through to more contemporary observers such as Raymond Williams and Owen Sheers), local folkloric tales and visitor survey data published by heritage and conservation bodies.

More than just the passive subject of our gaze or the repository for archaeological features of clearly demarcated temporal periods, in the words of Robert Macfarlane (2012), “landscape is not something to be viewed and appraised from a distance” but is “dynamic and commotion causing”, a collective term for the diverse components “that together comprise the brisling presence of a particular place”. This proposal outlines a vision for a work which, though rooted in the established practices of landscape archaeology and history, demonstrates a multi-dimensional approach based on the study of landscape as just such a many layered construct (Fleming, 2008; Johnson, 2007). In this case, exploring these ideas through a regional examination of the topographical legacies of monasticism imprinted in the evolving realities and perceptions of diverse monastic estate landscapes over time.

Ultimately the aim is to provide a coherent narrative – a biography of both the real and the imagined – for these particular places with complex pasts and presents in order to help inform contemporary decisions on how they are managed, utilised and presented to the wider public on a landscape scale now and in the future. For this is an urgent need, now more than ever, as competing pressures of land use (agriculture, housing, energy supply, amenity and so on) play out across rural Britain and the cultural and economic value of ‘heritage assets’ is increasingly seen to be realised on a landscape rather than a fragmented site-based level (Fowler, 2004; Rippon, 2004).    


Andrews, M, 1999. Landscape and Western Art. Oxford University Press.
Aston, M, 2007. Monasteries in the Landscape. Tempus.
Austin, D, 2004. Strata Florida and its landscape in Archaeol Cambrensis 153, 192-201.
Austin, D, 2006. The Future: Discourse, Objectives and Directions in Roberts, K (Ed.) Lost Farmsteads: Deserted Rural Settlements in Wales. Council for British Archaeology.
Bezant, J, 2014. Revising the monastic ‘grange’: Problems at the edge of the Cistercian world in Journal of Medieval Monastic Studies.
Bond, J, 2004. Monastic Landscapes. Tempus.
Burton, J and Stober, K (Eds), 2013. Monastic Wales, New Approaches. University of Wales Press.
Cosgrove, D, 2008. Geography and Vision: Seeing, Imagining and Representing the World. Tauris.
DeLue, R and Elkins, J (Eds.), 2008. Landscape Theory: The Art Seminar. Routledge.
Everson, P and Stocker, D, 2007. St Leonard’s at Kirkstead, Lincolnshire: The Landscape of the Cistercian Monastic Precinct in Gardiner, M and Rippon, S (Eds.) Medieval Landscapes. Windgather Press.
Fleming, A, 2008. Debating Landscape Archaeology in Landscapes 9.1 74-76.
Fowler, P, 2004. Landscapes for the World: Conserving a Global Heritage. Windgather Press.
Johnson, M, 2007. Ideas of Landscape. Blackwell.
Leighton, D and Silvester, R, 2003. Upland Archaeology in the Medieval and Post-medieval Periods in Browne, D and Hughes, S (Eds.) The Archaeology of the Welsh Uplands. Royal Commission on the Ancient and Historical Monuments of Wales (RCAHMW).
Macfarlane, R, 2012. The Old Ways: A Journey on Foot. Hamish Hamilton.
Rippon, S, 2004. Historic Landscape Analysis: Deciphering the Countryside. Council for British Archaeology.
Rowley, T, 2001. The Welsh Border: Archaeology, History and Landscape. Tempus.
Schama, S, 1996. Landscape and Memory. Fontana Press.
Walsham, A. 2011. The reformation of the landscape: religion, identity, and memory in early modern Britain and Ireland. Oxford University Press.
Whyte, N, 2009. Inhabiting the Landscape: Place, Custom and Memory, 1500-1800. Windgather Press.
Wylie, J, 2007. Landscape. Routledge.

Friday 8 May 2015

Digging the English landscape of radicalism and rebellion

"The power had been completely placed in the hands of the Norman nobility ... and it had been used with no moderate hand." Ivanhoe, Sir Walter Scott.

This was at one time to be a lengthy treatise on the noble tradition of English radicalism and rebellion woven into the history of the landscape in times past and still abroad. However, energy feeling diminished and lacklustre in the wake of the election result, it has become more of a modest poultice to salve the wounded progressive heart; a sketch of rememberings and reminders.

A wake indeed. In the afterword to his visceral story of doomed English resistance to the brutal annexation by William, Duke of Normandy (or rather Guillaume le Batard), The Wake, Paul Kingsnorth laments that "The Norman invasion and occupation of England was probably the most catastrophic single event in this nation's history. It brought slaughter, famine, scorched-earth warfare, slavery and widespread land confiscation to the English population, along with a new ruling class who had, in many cases, little but contempt for their new subjects". And at times like these, as the Bullingdon Club cements its neo-Norman hold on the levers of power and influence, does it not feel as though we have been waking up to groundhog day ever since? Held in a constant state of arrested development by the descendants (both real and in spirit) of William's blood-soaked and avarice-filled retinue. Even now, we are unable to free ourselves from the Norman yoke; fighting amongst ourselves, bitterness endemic, hope shrinking. Farage and the UKippers as rebellion? What a fucking joke.

But there is a counterpoint to all this defeatism; to the passive-reactionary Little Englander 'musn't grumble' mind-set (and away from the heady but combustible mix of Scottish progressiveness and nationalism). Thankfully England, as a temporal, geographical and imaginative entity, is as awash with ragged energy and free-thinking as it is held back by a veneer of respectable timidity and dothing of its cap to those Norman shadow-walkers. Rebels with a cause, pioneers of social justice and artists with a conscience abound throughout history.

So harness the radical spirit of Englishness ...

Green men, wild men of the woods, silvitica,

Hereward the Wake,

Wat Tyler and the Peasant's Revolt,        Jack Cade,              John Dee,

The New Model Army,             Gerard Winstanley,

Tolpuddle Martyrs,      The Quakers,        Thomas Paine,           The Diggers,
                       John Clare,                      The Chartists,           

    William Cobbett,                                                       Charles Dickens,

William Blake and Jerusalem,

     William Morris,        Bertrand Russell,          The Independent Labour Party,

Aleister Crowley,                           Emily Pankhurst and the Suffragettes,

Trades Union Congress,              Peter Warlock,                        George Orwell,

                              The Kinder Scout Trespass,

Clement Attlee and 1945,       National Parks,                       CND,

E.P. Thompson,             Eric Hobsbawm,

            Lindsay Anderson,      Ken Loach,           Alan Clarke, 
 David Rudkin,

     Billy Bragg,        Mark Thomas,                                 

Julian Cope,             

Colin Ward,                         Benjamin Zephaniah,  

The Poll Tax Riots,

 'Rooster' Byron,    

                    Caroline Lucas,                  Common Ground,

         The Dark Mountain Project,                             Jeremy Deller,

PJ Harvey,          Owen Jones,

         (Who knows, maybe even) Russell 'don't vote' Brand ... 

This spirit, this genius rebellio, is esoteric, not always progressive; it waxes and wanes in the popular consciousness, but it's always there under the surface, ready to spring. In the words of David Horspool in his survey of The English Rebel: "Above all, English rebellion isn't exceptional. It is what has happened in this country for at least a thousand years, and we can safely predict that it will carry on happening."